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In “Después,” Carmen (Ludwika Paleta, 40) grapples with the incomprehensible death of her only son, Jorge (Nicolás Haza, 20). Their deep friendship, formed after leaving Jorge’s father, hides secrets that slowly unravel. The ambiguity surrounding his death, potentially a suicide, paints a contradictory portrait, forcing Carmen to confront her blurred reflection. The film delves into Carmen’s introspection, challenging her understanding of motherhood and self. As she revisits her past – passions, identity, decisions, and aspirations before motherhood, and her failed attempt at a traditional family – she confronts the reality of her loss. Carmen’s journey reflects the broader path of Mexican society towards gender equality and sparks new dialogues about motherhood and its consequential decisions.
An internationally acclaimed actress in film, TV, and theater, Ludwika’s rise to fame began with her debut in the telenovela “Carrusel” and her first lead role in “El abuelo y yo”. After training at the Casa del Teatro at NYU, she returned to Mexican TV in “María la del Barrio”. Her career boasts successes like “Amigas y Rivales”, “Niña… Amada Mía”, “Mujer de madera”, “Abismo de pasión”, and international productions like “La Querida del Centauro”, “Rubirosa”, and “Madre solo hay dos”. Her film debut included “Corazón de Melón” and “Seis días en la oscuridad”, leading to diverse roles in drama, comedy, and thrillers. She received an Ariel Award nomination for “Rumbos Paralelos”. In theater, she has appeared in acclaimed productions, and also ventured into producing films and plays.
Nicolás, a young talent with a natural charisma, grew up in an artistic environment. He has diversified his profile in acting, music, modeling, and social media, attracting a large following among young audiences. Making his big-screen debut in “Después”, Nicolás shares the screen with Ludwika Paleta.
A graduate of the University of Guadalajara, Sofía is a producer, editor, writer, and director, co-founding Brujazul, a production and post-production studio. She co-wrote “Somos Mari Pepa” and “Los lobos”, both recognized at the Berlinale and the latter nominated for 13 Ariel Awards and a Goya Award. Her directorial debut, “Los Años Azules”, won several awards and was nominated for an Ariel for Best First Work. Sofía made her playwriting debut with “Kyra” and is currently directing her second film, “Después”.
